Written by Kate Mattingly_2009 The conflict between reality and illusion is ever-present in an artist’s career: dancers appear to be a committed, strong, capable movers on stages and in the studio, but often this calm exterior hides turmoil, doubt, and
Eu.genus
Eu.genus_ piece of Honey and Dust, production by Andrej Kalinka, dramaturgy and assistant director Milan Kozánek / 2018 photo_Noro Knap
For Gaia
For Gaia_ improvised performance by Zuna a musician Maok_2013-2018 Photo by Noro Knap (1-3, 5-15), Natália Zajačíková (4), Wang (16), Tibor Czitó (17,19), Peter Brenkus (19), Vlado Kollár (20)
Body Awakeness
Movement “excursions” with Zuna and Milan 10.-12.6.2021 with Milan BREATHING IN MOVEMENT / MOVEMENT IN BREATHING Workshop series Body Awakeness is the space in which we recognize our body through a movement. We perceive, observe and practice this movement by
Couch corner
Improvised dance talk show performed within years 2008 to 2016. Pictures taken from Bratislava in 2012 / pics nr. 1-20 (by Noro Knap), Žilina in 2013 / pics nr. 21-28 , Prague in 2014 / pics nr. 29-34 and Jablonec
From Anatomy to Composition
From Anatomy to Composition_workshop for dancers, movers and actors by Milan Kozánek and Andrej Kalinka in Žilina_July Photo_Orsolya Varga 2018 foto_
The TAO of Movement
The TAO of Movement An exceptional book on applying the principles of Chinese medicine to the profession of a mover. Movers, whether they are dancers, yogis, athletes, physical theatre actors, theatre performers, circus performers, aerial dancers, or other bodyworkers, have
Dancing Qigong_Meridian Flow
Dancing Qigong_MERIDIAN FLOW_research in High Tatras (SK)_August 2018 photo_Zuna Vesan
ChoreoLAB Transformation, Beijing 2016
ChoreoLAB Transformation led by Zuna and Milan, based on the principles od Yi Jing, The Book of Changes, Beijing 2016, The NEW festival.
Pure
Performance of Milan Kozánek focused on the power of physicality danced by Rado Piovarči and Petr Ochvat, 2015 photo_ Kasion (1,2), Noro Knap (3,4), Peter Beniac (5), Ján Chmelík (6-10)