{"id":315,"date":"2018-08-27T08:08:19","date_gmt":"2018-08-27T06:08:19","guid":{"rendered":"http:\/\/artyci.com\/new\/?p=315"},"modified":"2019-02-20T09:22:22","modified_gmt":"2019-02-20T08:22:22","slug":"starsie-diela","status":"publish","type":"post","link":"https:\/\/artyci.com\/en\/starsie-diela\/","title":{"rendered":"early pieces"},"content":{"rendered":"

Cocoon invisible<\/strong><\/em> \u2013 2005
\nA solo performance choreographed by Zuna Koz\u00e1nkov\u00e1 to original music by Jozef Vlk. About a being, a woman who longs to live a life other than that imposed by the social norms. This bizarre being inhabits her own world, but wishes to emerge amidst others free of hypocrisy, because she longs for communication rather than solitude. ‘Maybe she comes from the time of myths, bearing human traits along with those of a bird, a fish, a horse or a serpent: a mysterious figure, embodying many signs and archetypal symbols. But maybe she is a contemporary woman with her own particular vision and singular, unique behaviour.’
\nchoreography_Zuna Koz\u00e1nkov\u00e1 \/ performer_Veronika \u0160imkov\u00e1 \/ music_Jozef Vlk \/ stage set, costumes_Erika \u010ci\u010dmanov\u00e1<\/em><\/p>\n

Mass<\/strong><\/em> – 2005
\n‘A story of sin and virtue. A story of a man who dreamt his beginning as well as his end. An encounter of Bach\u2019s music and contemporary dance.’ A male solo dance performance choreographed by Milan Koz\u00e1nek and performed by Jaro Vi\u0148arsk\u00fd to musical excerpts from the Mass in B minor by J.S.Bach.
\nconcept_Milan Koz\u00e1nek, Jaro Vi\u0148arsk\u00fd \/ choreography_Milan Koz\u00e1nek \/ performer_Jaro Vi\u0148arsk\u00fd \/ <\/em>music_J.S. Bach \/ stage set, costumes_Eva R\u00e1cov\u00e1<\/em><\/p>\n

Numen@Lumen.sk<\/strong><\/em> \u2013\u00a02003
\nImprovised performance for two dancers, which is created \u201elife\u201c in front of eyes of spectators. About ordinary, daily things and about things which are not practical, useless, such as dance or poetry. Motto: \u201eAerobic is the only way to redemption.\u201c
\ndance_Zuna and Milan Koz\u00e1nek \/ music_J.S.Bach, Underworld<\/em>
\n
\nOne Yin for every Yang<\/em><\/strong> – 2001
\nDuet about search for the peace of the soul, about the contrasts in each of us and about the search for the true way through life on the border of the dreams and reality. Full of archetype situations as stereotype, dreams, search, journey.
\nchoreopraphy and dancing_Zuna and Milan Koz\u00e1nek \/ music_collage \/ lighting_Zuna Koz\u00e1nkov\u00e1 \/ costumes_Zuna Koz\u00e1nkov\u00e1, Zuzana Ruhstaller<\/em>
\n
\nNew Ritual<\/em><\/strong> – 2000
\nMore days of improvised performances in the streets of Old Town of Bratislava as opening event of the festival Bratislava in Movement 2000. The participation of 12 dancers, 14 musicians and fine artists from Slovakia, USA, Macedonia, The Netherlands, Hungary.<\/p>\n

Back to oneself<\/strong><\/em> – 1999
\nSolo performance of Zuna Koz\u00e1nkov\u00e1 created in cooperation with British musician John Suttill and Slovak fine artist Martin Morav\u010d\u00edk. The statement about human beings.
\nconcept, choreography, dancing by Zuna Koz\u00e1nkov\u00e1 \/ visual concept, video projection by Martin Morav\u010d\u00edk \/ lighting_Robert Pol\u00e1k \/ music_John Suttill<\/em>
\n
\nHard Landing<\/em> <\/strong>– 1998
\nMultimedia performance, that breaks borders between the stage and auditorium and diminishes distances among different kinds of art. Collaboration of 12 artists of various art genres (dance, music, visual art, scenography, photography) from Bratislava, Austria and Great Britain have met. Stage is changed to an universal space, where artists are placed together with spectators. Spectators have chance to watch the performance from arbitrary sides and are directly dragged into its atmosphere. Improvisation, which has been chosen by artists as a basic common mean of communication.
\ndancers_Zuna Koz\u00e1nkov\u00e1, Elke Muller(Austria), Milan Koz\u00e1nek, Robert Tirp\u00e1k \/ actor_Monika Haasov\u00e1 \/ designers_Martin Morav\u010d\u00edk (scenography), Iveta Haasov\u00e1 (costumes) \/ musicians_Igor Szab\u00f3 (percussion), Martin Zajko (guitar) \/ D.J._John Suttill (Great Britain), Jorg Christian (Austria) \/ photographer_\u0160tefan Psotn\u00fd<\/em>
\n
\nThe Myth<\/em><\/strong> – 1996
\nRemarkable performance which combines dance and puppet theatre. The four-member company includes two dancers and two puppet masters, who have tried to find where dance and puppet theatre overlap, what they have in common and what is unique to each one as a theatrical genre. The source of inspiration was found in the mythology of the ancient Slavs in a desire to give life to the old roots of our past. Understandably, the viewpoint is that of young artists who are attempting to confront the values of the past with those of the present.
\nchoreography and performers_Zuna and Milan Koz\u00e1nek, Ivan Martinka, Katar\u00edna Odzganov\u00e1 \/ set design_Zuzana Cig\u00e1nov\u00e1 \/ music_Peter Groll \/ lighting_R\u00f3bert Pol\u00e1k \/<\/em><\/p>\n

With You<\/em> <\/strong>– 1996
\nThe duet “With you” sprang purely from contact improvisation and the partnering work of the two performers, man and woman. The original intention was to create an abstract\u00a0 duet, but even abstraction, when set to music, can evoke a very concrete story in the mind of the spectator.
\nchoreography and performers_Zuna and Milan Koz\u00e1nek \/ music_Christine Groult \/ costume_Zuzana Cig\u00e1nov\u00e1 <\/em><\/p>","protected":false},"excerpt":{"rendered":"

Cocoon invisible \u2013 2005 A solo performance choreographed by Zuna Koz\u00e1nkov\u00e1 to original music by Jozef Vlk. About a being, a woman who longs to live a life other than that imposed by the social norms. This bizarre being inhabits<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-315","post","type-post","status-publish","format-standard","hentry","category-tvorba"],"_links":{"self":[{"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/posts\/315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/comments?post=315"}],"version-history":[{"count":8,"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/posts\/315\/revisions"}],"predecessor-version":[{"id":2514,"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/posts\/315\/revisions\/2514"}],"wp:attachment":[{"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/media?parent=315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/categories?post=315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artyci.com\/en\/wp-json\/wp\/v2\/tags?post=315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}